You pick up the phone, another panicked client on the line convinced their house is haunted, and The Happyhills Homicide drops you straight into the job with nothing but a business card reading OVERCURSED Inc. and whatever’s sitting in your inventory from the last call.
| Genre | Point-and-click horror comedy |
| Role | A self-styled ghostbuster running OVERCURSED Inc. |
| Core Controls | Left-click to move, take, and use; right-click to throw |
The build behind this listing runs as OVERCURSED — a darkly comedic point-and-click game where you play an indie ghostbuster taking client calls and investigating supposedly haunted homes. Left-click handles movement, picking up items, and using whatever’s in hand on the environment; right-click throws your current item instead, which turns basic inventory management into its own small puzzle layer once a scene calls for the right object at the right distance.
Every case starts the same way — a worried homeowner, a vague description of something wrong — and it’s up to you to explore the space, gather clues, and figure out what’s actually causing the disturbance before deciding how to resolve it.
What keeps The Happyhills Homicide memorable well past a first playthrough is a plot turn that recontextualizes what your ghostbusting job has actually been accomplishing all along. It’s not something the game telegraphs early, and most of the comedy in the opening cases plays completely differently once that twist lands. Player discussions consistently circle back to how differently the earlier client calls read on a second run once you know where the story is actually headed.
This is also why the tone shifts as a playthrough progresses. Early cases lean into absurd, almost slapstick paranormal complaints; later ones start carrying a weight that the opening hours don’t prepare you for.
New players tend to click through client dialogue quickly to get to the exploration, which skips details that make later puzzle solutions far more obvious in hindsight. The other common mistake is treating every haunting as a straightforward ghost to banish — several cases reward paying closer attention to what’s actually being described rather than assuming a default resolution applies.
Early cases are forgiving, with clear-cut objects and generous hint dialogue from clients. Later cases in The Happyhills Homicide tighten that up considerably, expecting you to connect clues across a scene with far less hand-holding, right around the same point the story’s tone starts turning noticeably darker.
The Happyhills Homicide sells its opening hours as goofy ghost-hunting comedy, but by the time OVERCURSED Inc.’s actual purpose comes into focus, it’s clear the joke was never quite what it looked like.